THE ON-CHAIR ORIGINATES FROM WILKHAHN
FURNITURE STRUCTURE
大理石的臺(tái)面板不僅從結(jié)構(gòu)上精簡,且從視覺上也傳達(dá)了其通透之意。
實(shí)木與大理石的相互作用同時(shí)也產(chǎn)生了一系列的對比效果,兩種材質(zhì)的碰撞互補(bǔ)創(chuàng)造了另一種平衡,賦予這件作品以現(xiàn)代感及近乎百搭的特質(zhì)。
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